PERUGINA
04-23-2008, 06:57 PM
http://i186.photobucket.com/albums/x158/PATRICIALAROSSA/PUMPKIN1compressed.jpg
Pumpkin Before Soup
Still Life
23 x 32 cm
Watercolour on
Fabriano Artistico
Cold Pressed
300gsm
_________________________
Colours Art Spectrum
Background
Burnt Sienna Hue
Yellow Ochre
Aureolin
Ultramarine Violet
Pumpkin
Aureolin
Permanent Indian Yello
Permanent Gamboge
Burnt Sienna Hue
Antwerp Blue
French Ultramarine
_________________________
Fabriano Artistico is a forgiving paper more so than the regular Arches as you will see going through the WIP.
I jumped straight in with the background... it's probably not the done thing, however i was excited by my pumpkin last night i thought i'd plan it out and as always go for realism intead of looseness.
I have made the shadow a tad dark... scary... but hopefully this will be toned down towards the end (hopefully)... a technique employed that is as difficult as it is secretive to all watercolourists and one that is not often spoken about... and if it is ... it is done so in hushed reserved tones.
http://i186.photobucket.com/albums/x158/PATRICIALAROSSA/PUMPKIN2compressed.jpg
Right lets leave the background alone... horrifying as it is!
Let's start on the detail in the pumpkin skin... not a pretty specimen all freckly, presenting a challenge in itself.
http://i186.photobucket.com/albums/x158/PATRICIALAROSSA/PUMPKIN3compressed.jpg
That shadow still looms large and all thought at this stage i just want to turf it... i perservere trying not to let it bother me...
Working wet in wet i am attacking each segment of the pumpkin seperately...
http://i186.photobucket.com/albums/x158/PATRICIALAROSSA/PUMPKIN4compressed.jpg
Right... I have started to obssess looking at that background and before i go any further i want to attack it... and you can see in the next picture i have managed to tone it down and make the colour look smoother rather than those blotchey patches i had happening.
http://i186.photobucket.com/albums/x158/PATRICIALAROSSA/PUMPKIN5compressed.jpg
http://i186.photobucket.com/albums/x158/PATRICIALAROSSA/PUMPKIN6compressed.jpg
I've managed to get this far and i have attacked the background toning it down somewhat employing that technique i mentioned earlier... now...
1. You get a soft srubbing brush
2. Water...i usually do this at the sink
3. Attack the paper by gently scrubbing removing the paint.
I watched my tutor do this once with another work of mine and i must say the results were very appealing.
http://i186.photobucket.com/albums/x158/PATRICIALAROSSA/PUMPKIN7compressed.jpg
After hitting it with the blow dryer... i then lifted the high lights with a stiff brush.
Fabriano Artistico paper has a more durable surface than Arches in my experiences and can handle the rough treatment of scrubbing and lifting with out it pilling.
I hope you have found this interesting.
I may darken the shadows a little more but i am considerably happy with this particularly considering the terrible start.
Please let me know your thoughts and comments on anything you think i can do to improve this...i welcome it.
Pumpkin Before Soup
Still Life
23 x 32 cm
Watercolour on
Fabriano Artistico
Cold Pressed
300gsm
_________________________
Colours Art Spectrum
Background
Burnt Sienna Hue
Yellow Ochre
Aureolin
Ultramarine Violet
Pumpkin
Aureolin
Permanent Indian Yello
Permanent Gamboge
Burnt Sienna Hue
Antwerp Blue
French Ultramarine
_________________________
Fabriano Artistico is a forgiving paper more so than the regular Arches as you will see going through the WIP.
I jumped straight in with the background... it's probably not the done thing, however i was excited by my pumpkin last night i thought i'd plan it out and as always go for realism intead of looseness.
I have made the shadow a tad dark... scary... but hopefully this will be toned down towards the end (hopefully)... a technique employed that is as difficult as it is secretive to all watercolourists and one that is not often spoken about... and if it is ... it is done so in hushed reserved tones.
http://i186.photobucket.com/albums/x158/PATRICIALAROSSA/PUMPKIN2compressed.jpg
Right lets leave the background alone... horrifying as it is!
Let's start on the detail in the pumpkin skin... not a pretty specimen all freckly, presenting a challenge in itself.
http://i186.photobucket.com/albums/x158/PATRICIALAROSSA/PUMPKIN3compressed.jpg
That shadow still looms large and all thought at this stage i just want to turf it... i perservere trying not to let it bother me...
Working wet in wet i am attacking each segment of the pumpkin seperately...
http://i186.photobucket.com/albums/x158/PATRICIALAROSSA/PUMPKIN4compressed.jpg
Right... I have started to obssess looking at that background and before i go any further i want to attack it... and you can see in the next picture i have managed to tone it down and make the colour look smoother rather than those blotchey patches i had happening.
http://i186.photobucket.com/albums/x158/PATRICIALAROSSA/PUMPKIN5compressed.jpg
http://i186.photobucket.com/albums/x158/PATRICIALAROSSA/PUMPKIN6compressed.jpg
I've managed to get this far and i have attacked the background toning it down somewhat employing that technique i mentioned earlier... now...
1. You get a soft srubbing brush
2. Water...i usually do this at the sink
3. Attack the paper by gently scrubbing removing the paint.
I watched my tutor do this once with another work of mine and i must say the results were very appealing.
http://i186.photobucket.com/albums/x158/PATRICIALAROSSA/PUMPKIN7compressed.jpg
After hitting it with the blow dryer... i then lifted the high lights with a stiff brush.
Fabriano Artistico paper has a more durable surface than Arches in my experiences and can handle the rough treatment of scrubbing and lifting with out it pilling.
I hope you have found this interesting.
I may darken the shadows a little more but i am considerably happy with this particularly considering the terrible start.
Please let me know your thoughts and comments on anything you think i can do to improve this...i welcome it.