crumpet
02-02-2008, 11:46 PM
I'm starting this thread in part as a response to the 'artist's you dislike' one, but also because I was planning on writing it at some stage anyway.
Over the past year or so I've become absolutely enamoured with Pollock's work. I didn't really know anything much about him before then — we studied all Australian art in high school, first year uni only touched briefly on art theory basics, and I studied the film/photography theory component in second year. So I've come to Pollock (and other American artists) pretty much on my own.
It started last year when I was reading a book about science and art (The Artful Universe, by John D. Barrow (http://www.amazon.com/Artful-Universe-Expanded-John-Barrow/dp/B000KHXBWW/ref=sr_1_1?ie=UTF8&s=books&qid=1201956503&sr=1-1)), and one chapter went into detail on fractal geometry. It talked about Pollock's paintings and the way they appear to follow fractal structure (part of chaos theory (http://en.wikipedia.org/wiki/Chaos_theory)), which is pretty damn incredible. I went on to watch the Pollock film and a couple of documentaries, and have recently purchased a wonderful book called Pollock: Veiling the Image (http://www.amazon.com/Jackson-Pollock-Veiling-Donald-Wigal/dp/1859959555/ref=sr_1_1?ie=UTF8&s=books&qid=1201956605&sr=1-1).
I find his drip/splatter paintings incredibly moving. The energy is incredible, and they really speak to me of the magic and intricacy of nature — something that is highlighted in the films and books as part of Pollock's driving force in creating work. And while a lot of people dismiss the work as something anyone could do, I just don't see it — every time I see one of those works, I can't get over how incredibly difficult and intense an experience it would be to create.
I feel like hopping a plane to Canberra for a day just to sit in the gallery and stare. :)
Over the past year or so I've become absolutely enamoured with Pollock's work. I didn't really know anything much about him before then — we studied all Australian art in high school, first year uni only touched briefly on art theory basics, and I studied the film/photography theory component in second year. So I've come to Pollock (and other American artists) pretty much on my own.
It started last year when I was reading a book about science and art (The Artful Universe, by John D. Barrow (http://www.amazon.com/Artful-Universe-Expanded-John-Barrow/dp/B000KHXBWW/ref=sr_1_1?ie=UTF8&s=books&qid=1201956503&sr=1-1)), and one chapter went into detail on fractal geometry. It talked about Pollock's paintings and the way they appear to follow fractal structure (part of chaos theory (http://en.wikipedia.org/wiki/Chaos_theory)), which is pretty damn incredible. I went on to watch the Pollock film and a couple of documentaries, and have recently purchased a wonderful book called Pollock: Veiling the Image (http://www.amazon.com/Jackson-Pollock-Veiling-Donald-Wigal/dp/1859959555/ref=sr_1_1?ie=UTF8&s=books&qid=1201956605&sr=1-1).
I find his drip/splatter paintings incredibly moving. The energy is incredible, and they really speak to me of the magic and intricacy of nature — something that is highlighted in the films and books as part of Pollock's driving force in creating work. And while a lot of people dismiss the work as something anyone could do, I just don't see it — every time I see one of those works, I can't get over how incredibly difficult and intense an experience it would be to create.
I feel like hopping a plane to Canberra for a day just to sit in the gallery and stare. :)